Friday, July 12, 2013
You Voted! Fans Choice Top 10 80's Rock Guitarists
We asked our fans "Who is your top 80's Rock Guitarist?" You voted, see who made the list! Connect with us on MySpace and checkout the cool new mix feature. Our mix includes songs and photos from each top 10 80's guitarist. Click on each song to play! View list >
Wednesday, June 5, 2013
Vintage Vibe for the Modern Player
We will be embarking on a
journey back into history through space and time to bring you all the wonderful
guitars of the past ...Silvertone 1303 & 1478.
As I discovered music and
was learning everything I could about the usual suspects that are now called
classic rock, I knew I had to play guitar. To this day one of my favorite
guitars I have ever owned was a Silvertone. I don’t even know its model; it was
just some plain Jane black Silvertone, but it was a real trooper. That poor
thing was my workhorse and it went through beating after beating and kept right
on playing. Silvertone guitars have such an original sound, and through a great
amp there’s just nothing quite like them.
That was what I learned
my first bar chords on; I remember how difficult it seemed to be to move from
one position to another. My father used to take me to my lessons on Saturday
mornings and give some guy he worked with a six pack of beer a week for my half
hour lesson. He had the coolest Silvertone guitar with an amp built into the
case! More about that in future blogs…
The philosophy behind the Silvertone Classic line is to respect
the original vintage designs, while improving on previous manufacturing
limitations through modern engineering, parts, craftsmanship and most
importantly, the opinions of modern guitar players. Cool vintage vibe for
today’s player!

These new and improved Classic
Silvertone 1478 and 1303 models have been revamped for the modern player in mind.
With both guitars featuring mahogany bodies and the 1478 with an original Bigsby
tremolo these are truly guitars to get exited about!
Just like the original back in 1958, the 1303/U2 & 1478 circa 1963, these Silvertones offer a unique
sound and playing experience. The new Classic
Silvertone models will inspire you to express yourself the same way as the rock
icons that played the originals did.
Written by Joe B.
Wednesday, April 17, 2013
Do Vocal Warm-Ups Matter?
I am a lead singer in
an Awesome Hard Rock Band. With
that being said, I do a lot of screaming, growling and belting for three hours
or around 35 songs for every gig we play. I have a passion for it, I love it and
I am completely fearless in performances and song choices. The one thing that will keep me up at
night, however, is the idea of losing my voice or the full range of it
throughout my performance. If
my voice is gone by the end of a show, no problem. That just means it was a good
gig. But thinking of losing
it halfway through the second set is like dreaming of doing a speech in your
underwear. Losing the
full range and power of my voice has happened during a few gigs, and I ‘ve
always made it through. But
how can I exercise my instrument to ensure success every single gig, or at
least get close to it? How
the hell does Chino Moreno from The Deftones manage to scream for an hour and a
half four to six shows a week and still smoke two packs of Newports a
day? Is it good screaming
genetics or am I simply a vocal sissy? Asking
these questions led me to do some research on what some notable vocal coaches
suggest to prep yourself for a show, rehearsal or recording.
Mark Baxter, vocal therapist for Scott Weiland, Richard Patrick and Steven
Tyler, talks about his R.T.S. technique. R.T.S. stands for Ready To Sing,
which means you have to get yourself to a place when warming up where your body
and mind are all Ready To Sing. He suggests starting with getting your
heart rate up. Jog in place, move your body, roll your shoulders to
loosen your tension. You then must make sure to rub your face, neck,
jaw…. basically all over your face to get that nice and loose as well. Then
make sure to shake it all out, vibrate your entire body. He makes a great
point that if you feel uncomfortable doing all of this and feel a little
foolish or self conscious, you may not be prepared to be at your full potential
on stage. Mark gives more tips in his article, “Warming Up,” on his
website Voicelesson.com :
"What you sing to
warm-up is not as important as how. I recommend the simplest sounds. Your
attention should be on physical freedoms rather than
quality of sound. Release your breath with several long, low volume hisses.
Then, loosen your face and neck while humming with a wandering, siren-like,
motion. Don’t allow your face to change to reach for pitches. Alternate the
hums with an extended zzz sound and gradually change this to an EE vowel and
then an AH. Keep your melodies sweeping. I don’t recommend singing songs
quietly because there are usually tensions programmed into them. As you loosen
up, turn up your volume -- but not before. As you get louder, stay with an EE
or AH. The point is to wait until the body gives you permission to increase the
load. The length of a warm-up should be in reverse proportion to the need. Long
gig -- short warm up, but if you’re doing a single song on The Letterman Show,
you should warm up and then sing for an hour for that, trusted,
middle-of-the-set feeling."
Jeannie Deva, Vocal coach for Aimee Mann, J. Geils Band and Foghat, stresses
the absolute importance of a warm-up. With a lot of people believing that
a pre-show warm-up will wreck your voice she suggests doing it right before
performance to save your voice and create career longevity. As she states
in her article, “Warm Up Guide for Rock Singers,” “If you decided to run a
marathon without any preparatory conditioning, how long would you last?”
I often feel that I should be doing my best to speak as little as
possible before a show, and I certainly want to stay away from singing anything
so as to preserve every last piece of my voice. But Jeannie makes
perfect sense. If I went to run 26 miles without stretching or get my
blood flowing, I’d be fine the first mile and then suck wind the other 25. Here are her warm up exercises from the same article
found on Performermag.com :
"1) Open your mouth and take a breath. The tip of your
tongue should stay touching the back of your bottom teeth. Use a basic speaking
volume and sustain a comfortable mid-range pitch, through an “NG” tongue position.
To help you find it, say the word “Sing” and maintain the position of the “NG.”
The back of your tongue will lightly close with your soft palate. Feel the
sound vibration shimmer along the roof of your mouth.
2) Try to maintain the same resonance from consonant to
vowel, using the list below. Smoothly go back and forth between the “NG” and
the vowel several times on one breath. Repeat on a new breath, and then go on
to the next vowel in the sequence.
The sequence goes as follows:
NG-AH (Wand)
NG-EE (Seem)
NG-A (Same)
NG-AA (Apple)
NG-Eh (When)
NG-Uh (The)
NG-I (Him)
During the last two vowels, do not shape your lips for
the sound. It can be achieved by thinking the vowel sound and letting it
naturally resonate in your mouth.
NG-Oh (Home)
NG-Ooo (Soon)"
Warming up has always been an enormous pain in the a** to me. It’s one of those things that you know that you should be doing, but can never find the time or are able to come up with a myriad of other interesting excuses in ordered to avoid it. But like many things that are a pain, the consequences of not doing it are far worse. Just like the dream of having to do a speech in your underwear, not being able to perform to your full potential when standing in front of a packed venue can be an absolute nightmare. My awesome rock band is going to be playing next week, so I am going to make sure to finally give one of these warm-ups a shot. I’ll let you know how it goes.
Written By Kevin O
Tuesday, April 9, 2013
New Hagstrom Tremar Super Swede P-90S
The Hagstrom Tremar Super Swede P-90 was created to combine the familiar tones of a well-recognized early single coil equipped double cutaway guitar, with the deeper and richer tones that only a single cutaway guitar can offer.
This machine is a perfect compliment for those searching for the “best of both worlds”, as the Tremar Super Swede P-90 is a hybrid of both. It has a Mahogany body with carved maple top, set mahogany neck, 25.5" scale length, Graph Tech Black Tusq XL 43mm nut, Bigsby style vibrato with Roller Bridge. While the pickups are specially designed to provide a “beefed up” boutique, single coil sound, the controls have been rearranged to provide a familiarity for double cutaway players with a single master volume, and three separate tone controls for each pickup.
What was added to enable the player to achieve a variety of tones is the 6-way rotary switch. With the addition of the Tremar system and the guitars 25.5” scale length, double cutaway players will feel right at home with this single cutaway guitar, bringing them their favorite tones on tap, but providing a much deeper and detailed tone with much more sustain.
It is an awesome guitar. The sounds are a sort of hybrid between the older Gibson LP sound, but with a twangy edge you get from a Gretsch hollowbody. You also get the endless Gibsonesque sustain, but without the compressed sound when playing a modern LP clean.
That vibrato is not a Bigsby knockoff, it is the Bigsby 2.0, enhanced in every way. The pickup selector switch is a well thought out solution for getting 6 pickup configurations without resorting to a Fender style toggle switch.
Written By Joe B
Wednesday, March 20, 2013
Lyricists That Inspire
Bob Dylan, Jim Morrison, John Lennon. As a songwriter these are three names that tend to pop into my brain when thinking about legendary lyricists. Many of us could (and do) argue for days about who the best is, but this is completely subjective and we all know it. Different lyrics and words affect us as individuals for different reasons. Whether its Fleetwood Mac’s “Never Going Back Again” or Nirvana’s “Heart Shaped Box,” these words will take us to a familiar place that only these songs can describe.
I believe
that a true understanding of good song lyrics comes with age, experience and
wisdom. When we are younger we tend to
be influenced by what is popular instead of what we really appreciate, as was
the case with Vanilla Ice or Gerardo. Being
the lyricist and lead singer for my first High School rock band (Crabapple
Sedan), Bob Dylan would constantly blast into my radar as the all time
great. When hearing songs like
“Hurricane” or “Rainy Day Women #12 & 35,” I would always appreciate them
because I was supposed to but never really understood what all the fuss was
about. Sure the songs sound great, but
how could someone with such a terrible voice be looked at in this way? It wasn’t until a few years ago when I
actually “listened” to “The Times They Are A-Changin” and could finally understand
what people meant. Words eloquently
pieced together evoking a timeless message that pierces directly to the core of
you. His words force you to have
understanding when your ears are open.
Regardless of what he was thinking when he wrote his songs, his lyrics
have the ability to create something personal for you. To me, that is the tell tale sign of an
accomplished lyricist.
When
writing songs it always helps to have a little bit of inspiration. There is of course always the greats from
days gone by, but who is out there now?
I tried to think of people that are currently putting out new songs,
from well recognized to almost unknown, and came up with seven artists (in no
particular order) that stood out in my mind.
1.
Ben Gibbard:
The Death Cab for Cutie front man is an obvious pick for me. This indie band has hit it pretty big in the
last few years, but it was their first commercial success with the album
“Plans” that got me listening. My wife
and I danced to the song, “I Will Follow You Into The Dark,” at our wedding to
confused eyes. To some this is a dark,
somber song about death, incredibly inappropriate for a wedding dance. But if you truly listen to his wonderfully
descriptive words there can be no other song that expresses the endless love
that you have for another being. “If Heaven and Hell decide that they both are
satisfied, illuminate the no’s on their vacancy signs. If there’s no one beside you when your soul
embarks, then I’ll follow you into the dark.”
Listen to:
Brothers on a Hotel Bed, You are a Tourist or Summer Skin
![]() |
Ben Gibbard |
Listen to:
Hit the Lights, Sleepwalking or Shatter Together
3.
Chino Moreno: Here’s a guy that has been around
for quite some time now. I first heard
The Deftones front man screaming in 1995 with the song “7 Words.” This band quickly became one of my all time
favorites and continue to evolve with each passing year. Chino’s lyrics have also come a long way,
from 95’s Adrenaline to this years’ Koi No Yokan. He is a poet at heart, angry and complicated. Telling us his view of the world and
expressing it in a way that you can get several different meanings past his
initial intention. “Our minds bend and
our fingers fold. Entwined, we dream I
know.”
Listen to:
Rosemary, Change (In the House of Flies) or Lhabia
![]() |
Chino Moreno |
4.
Karen O: Once you get past Karen O from the Yeah
Yeah Yeahs’ fashion sense you will find her to be one of the greats. Her ethereal vocals compliment her subject
matter harmoniously. She will take you
on a journey that at times feels much like a fantasy film, which is probably
why her then boyfriend, Spike Jonze, chose her to do the soundtrack for “Where
the Wild Things Are.” “I got a date with
the night, putting out my finger. Gonna
catch the kids dry, gonna walk on water.
Buying out the fight, we’re sweating in the winter. Both thighs squeeze tight.”
Listen to:
Date With The Night, Gold Lion, Zero
5.
Marcus Mumford: Grammy winning band, Mumford
& Sons, is probably the most popular example on this list right now. Front man Marcus helps bring us back to the
days of sitting in a barn for a hoedown while adding a new age spin. The most popular example would be adding an
expletive into an introspective folk song, jarring listeners into realizing
it’s 2010 and not 1810. He offers us a
glimpse at a simpler life and reminds us what truly living is all about. “We’ll be washed and buried one day my girl,
and the time we were given will be left for the world. The flesh that lived and loved will be eaten
by plague, so let the memories be good for those who stay.”
Listen to:
Winter Winds, Ghosts That We Knew, Little Lion Man
6.
Dana Falconberry: This indie singer/songwriter
from Austin, TX uses her sweet voice to deliver a powerful message of how to
find and know ones self. Her words will linger in your mind for several days
with a haunting excellence. “And the
children came and laid me on my bed and the paper said the people cried and the
pastor read words that Jesus said but nobody knows that I was singing when I
died and I was peaceful, yeah, I said all my goodbyes.”
Listen to: Singing Lullabies, Crooked River, Love Will Never Leave You Alone
Listen to: Singing Lullabies, Crooked River, Love Will Never Leave You Alone
![]() |
Dana Falconberry |
Listen to:
The Becoming, The Warning, Somewhat Damaged
Friday, March 8, 2013
The Big Three
Every musician has a certain something that makes them unique. It starts with your brain and flows through your body to your instrument. Whether its guitar, bass, drums, keyboard, sax or vocals. It doesn’t matter how technically proficient you are or are not.
Now for guitarists, your tone truly is flowing through your brain’s thought process and to your fingers. You’ve heard it all before, BB King can hit one note and you know it’s him. Same with all of the iconic players we love from Jimi, Eric (choose one Clapton or Johnson), Slash, Eddie, Beck, Brad Paisley, Joe B (not me Bonamassa).
They all at one point or another have reached for the big
three. Which three guitars am I talking
about? The Tele, Strat & Les Paul. These are the big three because they all have
a certain tone any player can get if they know how to work them for all they’re
worth!
Each overall design from the start has had relatively small changes over the years. They are iconic. What is it about these guitars that have made it so difficult for most manufactures to improve upon? Which guitars would you consider to be the big three?
Let us know what you think of these three iconic models. Check out other Fender Guitars at GoDpsMusic.com
Written By Joe B
Now for guitarists, your tone truly is flowing through your brain’s thought process and to your fingers. You’ve heard it all before, BB King can hit one note and you know it’s him. Same with all of the iconic players we love from Jimi, Eric (choose one Clapton or Johnson), Slash, Eddie, Beck, Brad Paisley, Joe B (not me Bonamassa).
![]() |
Jimi Hendrix playing a Fender Stratocaster |
![]() |
Bruce Springsteen with a Fender Telecaster |
![]() |
Joe Perry playing a Les Paul |
Each overall design from the start has had relatively small changes over the years. They are iconic. What is it about these guitars that have made it so difficult for most manufactures to improve upon? Which guitars would you consider to be the big three?
Let us know what you think of these three iconic models. Check out other Fender Guitars at GoDpsMusic.com
Written By Joe B
Friday, February 8, 2013
The 15 Greatest Guitar Players You May Have Missed!
OK kids, this week I want to throw some of my favorite
lesser known guitar players at you and see what you think about these extremely
gifted gents. Some of these names are
better known than others, but you should definitely check out their work.
There are so many great players in local clubs right now
around the globe that may never become known to the public, but will never stop
or give up, because it’s what defines them.
Get up, get out and support LIVE MUSIC in your community!!!
This is in no particular order and I couldn’t narrow it down
to just 10. Trust me check them out!
Click Here to listen to songs from these artists
Click Here to listen to songs from these artists
- Danny Gatton-Listen to his album “Cruisin’ Deuces"
- Buck Dharma-Check out Blue Oyster Cult’s album “On Your Feet, Or On Your Knees “
- Al Di Meola-Listen to “Elegant Gypsy”, “Casino” or “Friday night in San Francisco”
- Michael Schenker-U.F.O.’s “Strangers in the Night”
- Mark Knopfler-Listen to Dire Straits’, “Making Movies”
- Gary Moore-Listen to Thin Lizzy’s “Black Rose”, “Corridors of Power”, “Still Got the Blues”
- Andy Timmons-Listen to “That Was Then, This is Now”
- Terry Kath-Check out anything by Chicago
- Joe Bonamassa-Listen to his work with Jason Bonham on “Black Country Communion”
- Jake E Lee-Listen to Ozzy Osbourne ‘s “Bark at the Moon” and “Badlands”
- Elliot Easton-Listen to anything by The Cars
- Gary Richrath-Listen to REO Speedwagon’s “You Get What You Play For”
- Jimmy Lyon-Listen to Eddie Money’s album- “Eddie Money” or “Playin for Keeps”
- Paul Gilbert-Check out the bands Racer X, Mr.Big or any of his solo work
- Phil X-Listen to Phil X and The Drills’ “Kick Your Ass in 17 Minutes”, he has also recorded with many other artists you will know.
Those are my top 15, hope you enjoy the list. Comment below and let us know who your favorite guitarists are. Be sure to check out GoDpsMusic.com
Written By Joe B
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